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To know more about the film "Amélie from Montmartre"

To know more about the film "Amélie from Montmartre"

To know more about the film "Amélie from Montmartre"

Amélie is a 2001 romantic comedy film directed by Jean-Pierre Jeunet and starring Audrey Tautou. Its original French title is Le Fabuleux Destin d'Amélie Poulain ("The Fabulous Destiny of Amélie Poulain"). Written by Jeunet with Guillaume Laurant, the film is a whimsical and idealised depiction of contemporary Parisian life, set in Montmartre. It tells the story of a shy waitress who decides to change the lives of those around her for the better, while struggling with her own isolation. The film was an international co-production between companies in France and Germany.

 

Amélie won best film at the European Film Awards; it won four César Awards (including Best Film and Best Director), two BAFTA AwardsAcademy Awards.

 

Amélie Poulain was a girl who grew up isolated from other children. Raphaël, her taciturn, antisocial ex-Army doctor father, mistakenly believes that she suffers from a heart condition (a mistake resulting from the increase in her heartbeat caused by the rare thrill of physical contact with her father, who only ever touches her during medical check-ups). Her mother Amandine, a neurotic schoolteacher with shaky nerves, sees to Amélie's education. Amandine dies when Amélie is young, the victim of a freak accident involving a suicidal QuébécoiseNotre Dame Cathedral and lands on Amélie's mother. Raphaël withdraws even further as a result, and devotes his life to building a rather eccentric shrine in the garden to Amandine's memory, which houses her ashes. Left to amuse herself, Amélie develops an unusually active imagination.

 

As a young woman, Amélie is a waitress in a small Montmartre café, The Two Windmills, run by a former circus performer. The café is staffed and frequented by a gang of eccentrics. By age 23, life for Amélie is simple; having spurned romantic relationships following a few failed efforts, she has devoted herself to simple pleasures, such as dipping her hand into sacks of grain, cracking crème brûlée with a teaspoon, skipping stones across St. Martin's Canal, trying to guess how many couples in Paris are having an orgasm at one moment ("Fifteen!", she correctly informs the camera), and letting her imagination roam free.

 

To know more about the film "Amélie from Montmartre"